For Atomic Blonde, I worked as a Nuke artist on the final hotel sequence where Lorraine dispatches her Russian colleague. Although the scene was shot in a studio, everything outside the window was a projection on a dome, requiring careful keying of tricky elements like glass and floating feathers. And yes—our beloved crew managed to sneak their reflections into a champagne cooler lid (those silver lids are trickier than they look!). Removing those reflections and ensuring a seamless composite was a fun challenge, turning a studio set into the neon-lit, atmospheric world of 1989 Berlin.